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Additive luminosity is only applicable in the case of colored light, not juxtaposed pigments; in reality, the luminosity of two pigments next to each other is just the average of their individual luminosities. But with the success of Neo-Impressionism, its fame spread quickly. Chromoluminarism was a term preferred by Georges Seurat. They forged links to the anarcho-communists movement  and through this, many more young artists were attracted to this "blend of social and artistic theory". The Futurists later — would adapt the style, in part influenced by Gino Severini 's Parisian experience from , into their dynamic paintings and sculpture. Moline, secretary. Piet Mondrian and Nico van Rijn, in the Netherlands, developed a similar mosaic-like Divisionist technique circa Criticism[ edit ] At the start of the movement, Neo-Impressionism was not welcomed by the art world and the general public. The support Seurat initially received slowly dissipated as he became increasingly hostile towards other artists, believing that they were corrupting his style and technique. He relates Signac to an "inheritor of landscape tradition that envisioned the realm of harmony". This style of Impressionism gave way to joining Seurat in Neo-Impressionism in He compared Signac to Claude and Poussin by saying that Claude Lorrain knew all the details of the real world, and that he was able to express the world contained it by his beautiful spirit. Pissarro, his son Lucien , and Signac also showed work at the same time. Pointillism merely describes a later technique based on divisionism in which dots of color instead of blocks of color are applied. The effective utilization of pointillism facilitated in eliciting a distinct luminous effect, and from a distance, the dots came together as a whole displaying maximum brilliance and conformity to actual light conditions.
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