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Karen O & Danger Mouse - TURN THE LIGHT
I remember standing in the audience at Bowery Ballroom just dying laughing. I used to call Karen "a party in a bag. It's very dutiful. And so therefore I was not beholden to the rules of the game, which is a big thing in the rock world. I got up there and I just went nuts. She gave those of us who wanted to wear mini dresses to dive bars someone to model ourselves on. In the late '60s, Mick Jagger personified the iconoclasm, danger, and seething sexuality of a generation shaking off its uptight roots. It was kind of like our ongoing fighting and struggling with each other. And Kurt Cobain carried with him the rage and indignation of every teenager warped by Reagan-era plasticity and oppression. I was the lead singer. They're so progressive, wise, intuitive, really wonderful fucking rocking human beings. After that, our bar bragging was validated and it was also heightened. It was love at first sight for him: Nearly every major figure I spoke to, from the Strokes' Julian Casablancas to Jack White, wanted to fan out about the first time they saw Karen O perform.
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